《枯萎的樣子》的作品裡，我用刷子將泥漿塗在撿拾來的枯葉上，將這些泥漿樹葉放入窯中，在高溫燒製後樹葉們會化成灰、氣體，而泥漿會保留這些枯葉的造型。遺留下的造型如同凝固了時間，像似冰封、化石。枯葉不會再繼續腐爛。 起心動念於對自然衰敗物的感觸，我試圖將生命循環中的最後一個階段，枯萎的樣子永恆的保留下來。

In the artwork “Withered” I applied slurry onto the collected withered leaves using a brush. These slurry-coated leaves were then placed into a kiln, where they underwent high-temperature firing. As a result of this process, the leaves transformed into ash and gas, while the slurry retained the shapes of these withered leaves. The forms captured in the slurry have become suspended in time, resembling objects caught in ice or fossilized remnants. The wilted leaves will no longer undergo the process of decaying.

《枯萎的樣子》的靈感來自於一次路邊落葉的邂逅。 乍一看，這些葉子就像沒有生命的鳥兒仰面躺著，翅膀扭曲。 為了保留這一令人心酸的場景，我在這些枯萎的葉子上塗上了粘土。 經過高溫燒製，葉子內的有機物會被消耗掉，只剩下陶瓷外殼。 同樣，我採用這種技術用粘土覆蓋收集的草地，幾乎就像捕獲了土地的特定本質一樣。 我的目標是讓這種精緻而又奇特的彈性質地永垂不朽，它具有脆性和強度的特質。

The inspiration for "Withered" arose from an encounter I had when I came across fallen leaves on the roadside. Upon first glance, these leaves resembled lifeless birds lying on their backs, their wings contorted. With the intention of preserving this poignant scene, I coated these withered leaves with clay. Following high-temperature firing, the organic matter within the leaves was consumed, leaving behind only the ceramic shell.
Similarly, I employed this technique to cover collected grass with clay, almost as if capturing a specific essence of the land. My aim was to immortalize the delicate yet oddly resilient texture, which possessed qualities of both brittleness and strength.